Tag Archives: Japan

Japanese White-eyes on a Branch of Peach Tree

Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3) by Kubo Shunman (Japanese, 1757–1820).

Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3) by Kubo Shunman (Japanese, 1757–1820)

 

 

 

link:

http://www.metmuseum.org/Collections/search-the-collections/54066

Autumn Ivy

Autumn Ivy Ogata Kenzan (Japanese, 1663–1743)

Though not yet autumn,
winds through the pines
blow all around me,
and I dread they will scatter
the crimson leaves of ivy.

Autumn Ivy Ogata Kenzan (Japanese, 1663–1743)

 

 

Link:

http://www.metmuseum.org/Collections/search-the-collections/45076?rpp=20&pg=4&ao=on&ft=leaves&where=Japan&pos=72

Large and Small Fish Swimming Among Shells and Moss at the Bottom of the Sea

Large and Small Fish Swimming Among Shells and Moss at the Bottom of the Sea by Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823).

Shinsai was a Hokusai student and he ranks as one of the earliest surimono designers to render subjects other than people, for example the print published towards the end of his career entitled Koi yama (‘Carp float ( yama is the abbreviation of yamaboko, meaning ‘float’); 1820; Dublin, Chester Beatty Lib.).

Shells and Moss at the Bottom of the Sea

 

Link:

http://www.metmuseum.org/Collections/search-the-collections/54379?rpp=20&pg=2&ao=on&ft=fish&where=Japan&pos=26

Uba

Uba by Shibata Zeshin (Japanese, 1807–1891).

Uba means “old woman, wet nurse”.  She is  the spirit of the pine tree in Japan. She and her husband Jo (“love”) symbolize marital love and fidelity.

Shibata Zeshin (1807–1891) is history’s greatest lacquer artist, recognized worldwide for his exquisitely detailed lacquered boxes, panels, sword mounts, and other objects, as well as scrolls painted in both ink and lacquer. In addition to his mastery of traditional techniques, Zeshin developed a range of daring new lacquer textures and finishes imitating rusty iron, rough seas, patinated bronze, and even the delicate grain of Chinese rosewood.

Uba

The link:

http://www.metmuseum.org/Collections/search-the-collections/56724